© » KADIST
Hu Yun
This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.
© » KADIST
Du Zhenjun
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
© » KADIST
Du Zhenjun
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
© » KADIST
Du Zhenjun
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
© » KADIST
Yang Zhenzhong
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.
© » KADIST
Lu Chunsheng
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory. Using long shots and atypical settings, Lu Chunsheng enigmatically refers to a distant history while conveying the sense of dislocation wrought by successive stages of modernization. The combination of elaborate landscape shots from the suburbs of Shanghai and Lu’s signature style of spare and minimally crafted acting offers a surreal view of human behavior in spaces marked by the hulking remnants of China’s extraordinary development.
© » KADIST
Lu Chunsheng
Lu has developed an oeuvre that consists of characters in bizarre situations. The large-scale photograph I Want to Be a Gentleman depicts nine men standing like statues on display in a museum on tall plinths in front of a run-down industrial building. Lu’s brooding films and photographs are preoccupied with China’s industrial era and communist history.
© » KADIST
Qiu Anxiong
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
© » KADIST
Xu Tan
Drawing & Print (Drawing & Print)
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)
© » KADIST
Li Liao
A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.
© » KADIST
Jianwei Wang
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other.
© » KADIST
Cao Fei
Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment. Referring to China’s modernization and its capitalist and utopic visions, RMB City explores the ways in which global communication impacts imagination, values, and ways of life. By appropriating virtual reality, Cao Fei opens up a new frontier in the field of art production that surpasses conventional materiality and invites collaboration and exchanges with her public and clients.
© » KADIST
Jiang Pengyi
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub.
© » KADIST
Cao Fei
Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces. Although the damage is obvious, as the camera navigates across the elaborate, handmade dioramas, the inhabitants of La Town carry on with their activities and the normality of everyday life pervades. As the film progresses, the latent chaos and violence begin to emanate from every corner of the miniature city: a bloody briefcase left on the ground, a kidnapping scene, an axe murderer on the loose, a ferocious man-eating octopus—all rendering the darkness of this new post-apocalyptic world order.
© » KADIST
Cao Fei
Diversionist is part of the Cosplayers Series from 2004. In Cosplayers Cao Fei depicts the popularity among Asian youths of “cosplay” in which daily life is merged with images of video games and popular films. For many, this virtual reality is an outlet to “transcend” the paradox of a developing society in which the pleasures of consumption and depression of alienation go hand-in-hand.
© » KADIST
Jiang Zhi
In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence.
© » KADIST
Mimian Hsu Chen
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast. Serving as the final resting place for Chinese migrants who came to Coast Rica during the late nineteenth century as indentured laborers working to construct the Transatlantic Railroad, the Colonia China speaks to a long but divided history. Hsu’s photographs of the burial ground also echo her interest in typography, with blocky black lettering and painted Chinese characters marking the cemetery as a space belonging to two different worlds.
© » KADIST
Jiang Zhi
5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration. The main video features two dancers intertwining, caressing in trancelike movements, with intimacy eventually leading to scarring and bleeding. Towards the end, the trace of bodily movements and fluids crescendo in an image of a skull in a synthesis of performance, painting and theater.
© » KADIST
Marie Voignier
“Na China” means “In China” in Igbo language. Marie Voignier’s film NA CHINA! focuses on the African women communities who have emigrated to Guangzhou, in the southeast of China.
© » KADIST
Jin Shan
Retired Pillar represents the death and deterioration of legacy of colonial Shanghai. The silicon Corinthian column lays horizontal upon its pedestal, inflating and deflating in the rhythm of difficult breathing, as if exhausted by its lifelong labor. Shan comments on the deterioration of the influence of French colonialism within Shanghai as well as the adoption of Western forms of architectural decoration as symbols of wealth and power.
© » KADIST
Wang Taocheng
Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death.
© » KADIST
Köken Ergun and Satyam Mishra
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017. The BRI is a strategy that was set forth by China in 2013 to expand its influence by building a network of economic corridors around the globe. BRI projects in Nepal include the Kathmandu-Kerung Railway, the Galchhi-Rasuwagadhi-Kerung 400 kilovolt transmission line, the 762 megawatt Tamor hydroelectric dam, and the 426 megawatt Phukot Karnali run-of-the-river hydropower project.
© » KADIST
Gao Mingyan
In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai. For each hole, Gao traveled to significant places from his memory – his first school, his childhood playground, and his former date hangouts – and proceeded to play a makeshift round of golf at each location. In revisiting locales from his youth, Gao attempts to forge a linear connection between all the important places that comprise a life’s experience, his performative “passing” through each location poetically referencing his own passage through time.
© » KADIST
Yu Ji
Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes.
© » KADIST
Yan Xing
Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon. His erotic failure leaves the voyeur-viewer unfulfilled and disappointed. The work explores notions of identity, masculinity, sexuality, voyeurism, and cultural taboos.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
© » KADIST
Li Ran
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
© » KADIST
Yang Xinguang
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.
© » KADIST
Li Ming
In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.
© » KADIST
Li Ran
In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody. Dressed to toe in the costume of a typical Discovery Channel adventurer-explorer, the artist dashes suavely through the uncharted jungle habitat of a primitive tribe. Li modulates his own voice in laughably accurate mimicry of the dubbed Discovery Channel protagonist familiar to Chinese viewership, daringly gulping fresh water from a river, expertly admiring exotic vegetation, and whimpering in fear of the dark sounds of the night (screaming, even, as he trips on a human skull) in an full-scale exaggeration of a nature show personality.
Xiaoyun Chen
- location: Hangzhou, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Zhang Kechun
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Cao Fei
- location: Beijing, China
- year born: 1978
- gender: female
- nationality: Chinese
- home town: Guangzhou, China
Du Zhenjun
- location: Paris, France
- location: Shanghai, China
- year born: 1961
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Firenze Lai
Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...
Bo Wang
Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...
Chen Chieh-Jen
- location: Taipei, Taiwan
- year born: 1960
- gender: male
- nationality: Chinese
- home town: Taoyuan, Taiwan
Li Ran
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Jiang Zhi
- location: Beijing
- location: Shenzhen, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Yuanjiang, China
James T. Hong
James T...
Xu Tan
- location: Amsterdam, Netherlands
- year born: 1966
- gender: female
- nationality: Dutch
- home town: Pekan Baru, Indonesia
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Wang Tuo
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Tsang Kin-Wah
- location: Hong Kong, China
- year born: 1976
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Musquiqui Chihying and Gregor Kasper
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Jin Shan
Jin Shan is an installation artist who uses humor, satire, and play to comment upon social and political power dynamics within contemporary China...
Li Liao
- location: Shenzhen, China
- year born: 1982
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Yu Ji
Yu Ji is a precise artist with multiple preoccupations, references, and interests; she comes from a long tradition of erudite, polymath approaches to art making...
Zhu Jia
Pioneer of video art in China, Zhu Jia’s works have often dealt with ‘realness’ and everyday life, though often in unconventional ways...
Adrian Wong
- location: Hong Kong, China
- year born: 1980
- gender: male
- nationality: American
- home town: Chicago, Illinois
Hao Liang
The work of Hao Liang reimagines and explores the sublime of contemporary ecological landscapes...
Zhang Peili
- location: Hangzhou, China
- year born: 1957
- gender: male
- nationality: Chinese
- home town: Hangzhou, China
Zhang Zhenyu
Zhang Zhenyu’s practice is at once conceptual and material, best-known for his dust paintings series, repurposing found matter, transforming waste dust into a highly polished image, his work is a reflection upon the trace elements of urbanization and development...
Cao Shu
Cao Shu’s works span three-dimensional digital moving images, sound installation, and interactive games...
Yang Zhenzhong
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Xiaoshan, China
© » KADIST
about 3 months ago (02/12/2024)
OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...
© » SOUTH CHINA MORNING POST
about 3 months ago (02/11/2024)
Chinese woman, unhappy over 30-year arranged marriage, writes viral poems of love and resignation | South China Morning Post Advertisement Advertisement China society + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more 13:58 Love, freedom and resignation: the chronicles of a Chinese village poet Love, freedom and resignation: the chronicles of a Chinese village poet Lifestyle Family & Relationships Video | Chinese woman, unhappy over 30-year arranged marriage, writes viral poems of love and resignation Han Shimei, who lives in a rural community in China’s Henan province, has been trapped in an unhappy marriage for 30 years Her poems about life and longing for love became a sensation after posting them on video-sharing app Kuaishou China society + FOLLOW Thomas Yau in Shanghai + FOLLOW Published: 11:00am, 11 Feb, 2024 Why you can trust SCMP Han Shimei is a 52-year-old woman living in a rural community in China’s central province of Henan...
© » APERTURE
about 3 months ago (02/06/2024)
Taking a local, hometown look at the Chinese Spring Festival Shehuo, Zhang Xiao considers how the thousand-year-old tradition has transformed into a tourist-facing enterprise....
© » MODERN MET ART
about 3 months ago (02/05/2024)
Emmanuelle Moureaux’s New Work Fills a Room with Butterflies Home / Art / Installation Thousands of Colorful Butterflies Invade Shanghai Pavilion in Emmanuelle Moureaux’s Latest Installation By Regina Sienra on February 5, 2024 Photo: Daisuke Shima Architect, artist, and designer Emmanuelle Moureaux has marveled the world with her sweeping colorful installations...
© » FLASH ART
about 5 months ago (12/14/2023)
Liu Chuang "Lithium Lake and Island of Polyphony" Antenna Space / Shanghai | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » SOUTH CHINA MORNING POST
about 5 months ago (12/14/2023)
Guangzhou’s potential as contemporary art hub in doubt as new Moordn Art Fair draws crowds but generates few sales | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The first in-person staging of the Moordn Art Fair in Guangzhou, from December 8-11, was well attended, but the slow sales there suggest the market for contemporary art in the Chinese city is still developing...
© » SOUTH CHINA MORNING POST
about 5 months ago (12/02/2023)
‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity | South China Morning Post ‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity Profile Art gallery owner Pearl Lam on growing up as the daughter of property tycoon Lim Por-yen, losing her colonial mindset and celebrating diversity Kate Whitehead + FOLLOW Published: 7:45am, 3 Dec, 2023 Why you can trust SCMP I was born in Hong Kong and lived in Jardine’s Lookout...
© » SOUTH CHINA MORNING POST
about 5 months ago (11/27/2023)
Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...
© » ARTNEWS MARKET
about 5 months ago (11/21/2023)
Art Basel Hong Kong Returns to Pre-Pandemic Size for 2024 Edition – ARTnews.com Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All November 21, 2023 2:00am Art Basel Hong Kong...
© » SOUTH CHINA MORNING POST
about 5 months ago (11/20/2023)
From Art021 and the West Bund Art and Design fair to the China International Import Expo, Shanghai Biennale and many other exhibitions, the Chinese city’s art scene is looking busier than ever in 2023....
© » SOUTH CHINA MORNING POST
about 5 months ago (11/19/2023)
World-class concerts and operas set to enhance Shanghai’s attractiveness as an international tourist destination | South China Morning Post Advertisement Advertisement Tourism + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A concert called Ode To The Silk Road is performed by the Shanghai Symphony Orchestra on October 19, 2023 at the Shanghai International Art Festival...
© » LARRY'S LIST
about 12 months ago (05/11/2023)
A Journey Yuz Museum, Panlong, Shanghai May 18th- August 13th, 2023 For the coming 10th anniversary of Yuz Museum Shanghai, the new venue located in Shanghai Panlong Tiandi will be completed and has its grand ......
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Shanghai is mainland China’s biggest art hub, and the new branch of the UCCA Centre for Contemporary Art, UCCA Edge, will celebrate the evolution of the city’s role....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Kelly Wang's private art museum will be one of the largest private museums of contemporary art in th...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Collector Qiao Zhibing's Tank Shanghai Museum Opens on West Bund Waterfront - via The Art Newspaper...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Hong Kong Collector Adrian Cheng Expands to Mainland China with $1.4 B...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Budiardjo ‘Budi’ Tek, who died on March 18 aged 65, made his fortune in the poultry business, but he is best known for his Chinese art collection and for opening Shanghai’s Yuz Museum....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Indonesian-Chinese collector spoke to artnet News's Andrew Goldstein about his urgent quest to save his groundbreaking private museum....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Taiwanese Mega-Collector Pierre Chen Wants to Open a Private Museum in the Mountains Outside Taipei - via artnet news...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Opening in March 2020, Shunde’s He Art Museum hopes that it has what it takes to attract an audience....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The curvaceous, aluminium-clad form of Liyang Museum in China was designed by architecture practice CROX to recall the shape of a musical instrument....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The collection’s owner, Maria Chen-Tu, has demanded the works’ return and alerted authorities in Beijing, but the works’ whereabouts remain unknown....
© » RANDIAN ART MARKET
about 42 months ago (11/14/2020)
British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper...
© » ARTS EQUATOR
about 50 months ago (03/23/2020)
Interview with Wang Chong for "Made In China 2.0" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Pritchard March 23, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0 , at Asia TOPA in February...
© » RANDIAN ART MARKET
about 57 months ago (09/03/2019)
by Chris Moore The China art market faces its most difficult period since 2008...
© » RANDIAN ART MARKET
about 62 months ago (03/25/2019)
Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong....
© » RANDIAN
about 66 months ago (12/13/2018)
Ran Dian 燃点magazine needs a little help from you to keep (debate about) art critical, especially when that debate is about art and China....
© » ARTNEWS CN
about 135 months ago (03/20/2013)
Guggenheim Museum Collects China – ARTnews.com Skip to main content By Sarah Cascone Plus Icon Sarah Cascone View All March 20, 2013 1:10pm New York’s Solomon R...
© » THE INDEPENDENT
about 139 months ago (11/16/2012)
Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...
© » ARTNEWS CN
about 153 months ago (10/06/2011)
CHINA The Next Generation – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All October 6, 2011 10:00am Animal Regulation No...
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2000-2009
Xu Tan
Drawing & Print
2000(Drawing & Print) Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions...
Xu Tan
Drawing & Print
2003(Drawing & Print) Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions...
Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Xiaoyun Chen
2006The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Xiaoyun Chen
2006State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Chen Shaoxiong
2006After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Qing Zhang
2006603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Jiang Pengyi
2008Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Gao Mingyan
2008In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai...
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Charwei Tsai
2008Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
Yang Xinguang
2009Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
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2010-2019
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Euan Macdonald
2010The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Zhang Kechun
2011Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Yang Zhenzhong
2012Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Adrian Wong
2012Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Zhang Kechun
2012Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
James T. Hong
2012Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Chia-Wei Hsu
2012Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan...
Firenze Lai
2013Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Firenze Lai
2013Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Firenze Lai
2013Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Mimian Hsu Chen
2014In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Liu Chuang
2014Categorized as low-level literature, a “Love Stories” book is a romantic popular fiction of proletariat China, read mainly by teenagers, students, and young workers...
Tomoko Kikuchi
2014The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
Miao Ying
2016As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China...
Pak Sheung Chuen
Drawing & Print
2017(Drawing & Print) The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Zhang Zhenyu
2018In DUST 171217 Zhang Zhenyu uses fragments of dust collected across the city, and then creates dark abstract paintings, repetitively gluing the material to the canvas, applying up to 30 or 100 layers and sanding until he arrives at a smooth surface...
Connie Zheng
2019The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined...
Musquiqui Chihying and Gregor Kasper
2019Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
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2020-2029
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
Zhang Kechun
2020Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Tashi Lama
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
